Interesting Stuff « Steph’s ARTE 320 Blog

Interesting Stuff

Justin Bua

For over a decade, artist BUA has been making a mark on popular culture with his unique style of Distorted Urban Realism, single-handedly spearheading a new genre of art. Born and raised by a single-mom in NYC’s untamed Upper West Side, BUA was fascinated by the raw, visceral Manhattan street life and found himself absorbing the essence of the burgeoning culture at places like Rock Steady Park and the Douglas Projects. BUA studied visual art at the High School of Music and Performing Arts (“Fame”) and complemented his education on the streets by writing graffiti and performing worldwide with breakdancing crews such as The New York Express and The Dynamic Breakers. After high school, BUA went on to the Art Center College of Design in Pasadena, California where he earned a B.F.A in Illustration. There, BUA learned the technical skills that allowed him to unleash his creativity.
BUA started his career doing slick bottom paintings for the skateboard industry. He came out with a line of fine art posters and quickly made his way into the commercial freelance world. He created numerous CD covers for companies such as Warner Bros., Atlantic Records, Sony Music and BMG Music, as well as advertising work for clients like Weiden and Kennedy and The Nike Corporation. In 1999, BUA animated the opening title sequence for MTV’s “The Lyricist Lounge Show”. Then, in a process that took over two years, BUA conceived, created and wrote “Urbania”, an animation series for Comedy Central.

For more information check out: http://www.justinbua.com/newSite/index.php

Ansel Adams
Adams, Ansel (Feb. 20 1902 — Apr. 22, 1984), photographer and environmentalist, was born in San Francisco, California, the son of Charles Hitchcock Adams, a businessman, and Olive Bray. The most important result of Adams’s somewhat solitary and unmistakably different childhood was the joy that he found in nature, as evidenced by his taking long walks in the still-wild reaches of the Golden Gate. Nearly every day found him hiking the dunes or meandering along Lobos Creek, down to Baker Beach, or out to the very edge of the American continent.
Adams described himself as a photographer — lecturer — writer. It would perhaps be more accurate to say that he was simply — indeed, compulsively — a communicator. He endlessly traveled the country in pursuit of both the natural beauty he revered and photographed and the audiences he required. Adams felt an intense commitment to promoting photography as a fine art and played a key role in the establishment of the first museum department of photography, at the Museum of Modern Art in New York. The work at the museum fostered the closest relationships of Adams’s life, with Beaumont and Nancy Newhall, a historian and museum administrator and a writer-designer, respectively. Their partnership was arguably the most potent collaboration in twentieth-century photography. In the 1950s and 1960s Nancy Newhall and Adams created a number of books and exhibitions of historic significance, particularly the Sierra Club’s This is the American Earth (1960), which, with Rachel Carson’s classic Silent Spring, played a seminal role in launching the first broad-based citizen environmental movement.

Takashi Murakami

Takashi Murakami (村上隆 Murakami Takashi?, born 1 February 1962 in Tokyo) is a prolific contemporary Japanese artist who works in both fine arts media, such as painting, as well as digital and commercial media. He attempts to blur the boundaries between high and low art. He appropriates popular themes from mass media and pop culture, then turns them into thirty-foot sculptures, “Superflat” paintings, or marketable commercial goods such as figurines or phone caddies.Murakami attended the Tokyo National University of Fine Arts and Music, initially studying more traditionalist Japanese art. He pursued a doctorate in Nihonga, a mixture of Western and Eastern styles dating back to the late 19th century. However, due to the mass popularity of anime and manga, Japanese styles of animation and comic graphic stories, Murakami became disillusioned with Nihonga, and became fixated on otaku culture, which he felt was more representative of modern day Japanese life.Murakami’s style, called Superflat, is characterized by flat planes of color and graphic images involving a character style derived from anime and manga. Superflat is an artistic style that comments on otaku lifestyle and subculture, as well as consumerism and sexual fetishism.